Not exactly new, more like a compilation. But I realized the best way to teach someone how to do stuff is to use example of inspiration for them. Code name, Something Interesting, or sort styled as Som Int. Som Int is a compilation of my works produced between the period of time from early 2017 to late 2018, that used experimental and avant-garde production. Combined with pseudo-monotone mixing, distinguished stereo of 808 or 909 percussion with glitch and breakcore, and wide spectrum of instruments with particularly atmospheric uses. Almost most used techniques like chopped-and-screwed, wall of sound and super dense mixing to create retro futuristic sound.

Examples:

I'll write a full tutorial on a website how to do these sounds.

I wanna upload my fractal arts but I'm too lazy to go through every single project page and fill out the same shit.

Decomposing.

What's a piano and a tuna? You can tuna piano but not piano a tuna.

There was vaporwave, there was synthpop and many more. Then it died around 2010. But there was a spark and it came back alive around 2015, I believe thanked to Mr. Robot's unique soundtrack that featured haunting analog synth. Then Stranger Things. Blade Runner 2049. And after that synthwave suddenly became a thing again.

As for me, I started to implement synthwave into my cinematic work around 2015 with my first track, Anarchy In Order.

What about you?

As soon as I find a fast wifi hotspot to upload. Stay tuned.

Powerful track. This is the music of the oppressed.

John Cage was one of the most famous contemporary composer, well known for his archaic and creative composition. But he was also one of the least known anarchist, Cage turned to anarchism after asking his friend and Spanish artist, Esther Ferrer, what is anarchism. Ferrer participated in Spanish Civil War and is one of Spain most prominent artist.

Art by Clifford Harper, UK anarchist and illustrator

Querido John,

Here are some quick thoughts to respond to your question as to the future of anarchism,

- For me, anarchism shall always have a future, and a present, for the basic reason that I associate it with creativity. Please, I don't mean art, which is something else, much more limited. I am talking about creativity in the sense that it comes from rejoicing, from pleasure and it serves first of all the person who practices it, without paying attention to the consequences and without feeling obligations to anyone else. There is no "master" except oneself.

Anarchy, like creativity, is thus a completely gratuitous choice, which engages only yourself and which you decided to practice; one could well define anarchy as a practice of liberty, first individual and then social. One can practice it alone, even if others are not at all interested. That is often the case, when one speaks of anarchism, others laugh or mistrust the idea, but that does not take away from one's own joy. This is to say that anarchistic thought is something out of time, even without time, and I would even dare to say that it is something anchored in human nature (there are other things anchored in human nature also, unfortunately) and like creativity, individualistic and individualized. This is the source of its attractiveness, and of its enormous risk, which in my opinion, makes it all the more attractive.

As a result, John, I think that in periods of "desánimo" of "desesperanza", as today, when there is not, or seems not to be, any messianic hope to stuff our heads with, when the hopes have turned out to be largely inoperative, there is a return to essential things, and the essential things are never far away, because WE CAN FIND THEM IN OURSELVES, without needing recourse to ideologists and master thinkers, without needing to think outside of ourselves. Our liberty is only limited by the characteristics of our species in the most physical sense, and by the personal decision to employ liberty intelligently, that is, to consider others as beings who practice liberty too.

Anarchy is quite simply a problem of assuming individual responsibility. It is the idea that each person conceive of himself as a thinking being, capable of making his life decisions without delegating his decision making capacities to someone else, whether it be a god, a king, a state, a party, an ingenious artist, a master of thought, a leader, a mother or a father. Now, to be more specific, for me, John, anarchy really does have the future that people are talking about, and for a reason much more concrete than the one, fundamental for me, which I spoke about before, that is, creative conduct, as opposed to subordinate conduct, and positive individualism:

In these times, which flow in a behavioral "grisaille", it is no doubt attractive to follow a way of thinking that does not demand anything, that simply proposes the possibility that you have the courage to assume the decision and the consequences of your own acts, without protecting yourself in the imperatives of an ideology, a religion, or an authority, which convert you into an irresponsible person, first in regard to yourself, and then in regard to society.

In view of the unworkability of all the doctrines that claim to liberate humanity, such as capitalism, Marxism, or authoritative socialism, the big loser of all the revolutions (Soviet, without forgetting Kronstadt, Spanish, etc.), that is, anarchism, seems for many to be once again a possibility. (As the Basque sculptor Jorge Oteiza, used to say to me: "From failure to failure right up to the final victory"). Of course, that this possibility could become another fashion, another fad, is a new risk that anarchists must assume.

Why is anarchy a possibility? Because we begin to understand that we have delegated too much, believed too much in the daddy state, which protects us, and gives us such security (or the delusion of it) and puts us to sleep (in the best cases) or which exploits us (in the worst, and unfortunately more frequent cases). The daddy state also puts to sleep our capacity to think, to revolt, to manage our lives, because it promises everything and gives us practically nothing. Maybe it is easier, and even more comfortable, to delegate than to think.

Anarchism, in the face of all the other doctrines and ideologies, is a marvelous exception. IT PROMISES NOTHING! Wow! What joy! It gives us no model of pleasure to follow, to go for. It gives us no paradise, neither an artificial one nor a real one nor a proletarian one, at the end of an authoritative road. This is because, among other things, there is no road. Machado, a Spanish poet, exiled by the forces of General Franco, and who died in exile, has written: "caminante no hay camino, se hace camino al andar" ("Walker, there is no road, the road is made by walking").

So, from this struggle against the state, which does not mean the conquest of power, but rather its dispersion, anarchy struggles against the patriarchal family, of which the state is only one manifestation, (even if anarchist writing, with rare exceptions, make no reference to women, and even if, in their individual behavior, some of the great anarchist theoreticians were misogynist and authoritative). The term "patriarchal" really means any hierarchical pyramidal structure, in which the summit is occupied by a supreme authority traditionally masculine. Given that one of the goals of feminism is to decompose the patriarchal family (and not, if you please, to replace it by a matriarchal authority) in this sense the various feminist movements, can stimulate and actualize--thanks to women anarchists--some anarchistic ideas.

These ideas, John, at bottom, are simply natural creations of free thought, capable of generating someday, a fraternity and solidarity, conflictive, I hope (anarchy does not fear contradictions, she is submerged in them), but capable of inventing imaginative and joyful solutions. 

Today, March 25, is the 108th anniversary of Triangle Shirtwaist Factory fire that murdered 147 garment workers during a strike, mostly who were Jewish, Slavic and Italian immigrants from Prussia. The massacre was caused by the pigs Max Blanck and Isaac Harris, who locked the fire exit doors and set the building on fire to suppress the strike. The Triangle Fire was one of the very long list of struggle for the working class. Rest in power.

Fire in my mouth is an oratorio written by Julia Wolfe. Arguably it's the first-ever mainstream orchestra project that finally representing the working class. The classical scene is known for its extreme toxic reactionary with privileged cum bags, with exception like John Cage, but finally in times it opened to the proletariat.

I recently had the nostalgic feeling for old school music, especially demoscene stuff. And I went back to check out all the famed people who once active in the scene. And I came across this. This is the xm if anyone was wondering. It was made be no other than that Thomas Bergersen. Yes, that guy. I'm familiar with his module files and his history in the scene, as a demoscener myself, but I was surprised that he did intelligent DnB. Most of his old tracks were techno, and this was the one stood out the most. His recent stuff were pop and techno, how ironic, I guess he missed the scene.

Move on to other artists, where they are now, particularly the people I admire... Wave is still wave. Necros is still famous. Rajunen is still on NG but not active anymore. Jesper Kyd is a full blown composer who's known for Assassin Creed, Hitman and Borderland. Scorpik did Witcher series. Purple Motion is now an orchestrator. Skaven does music for Trine series. Blaizer works for DICE, like the rest of The Silents. Gopher just disappeared. Croaker did Angry Bird, and music by Djartz and also disappeared. TDK doesn't seem to surface anymore, he has an account on NG. Tempest still hasn't got his lawsuit money back from the thief Timbaland.

The other who weren't directly from the scene but known sometime in the tracker scene are: Darude, Aphex Twin, Infected Mushroom, Swedish House Mafia, Deadmau5, Venetian Snares, Chris Huelsbeck...

I'm still here, standing on the shoulder of these giants... It's funny to think that I probably started tracking shit and going to the scene, by the time Lioz (Bergersen) stop tracking, left the scene, and went to uni for orchestration.

The point of this post is that we all started from somewhere. Never give up.

I'm gonna get back to orchestra, TSFH latest album 'Dragon' get me pumped up... also ignore the previous "album", it's one of my edgy joke. If you've been my fan for a while, you know me...

Side note, I should probably upload those synthwave tracks from the first album.

Happy Valentine...